Micro campaign and interview commissioned by Taiwanese lifestyle brand Nozzlequiz, around the theme of being ‘Boundaryless’.

“Introduce yourself to the Nozzle Quiz audience. If you have any experience collaborating with well-known brands, feel free to mention them.”

My name is Morgan. I’m a photographer and producer working in the outdoor and lifestyle sectors. I spend a lot of time running and hiking, and I love collaborating with brands that embrace these kinds of activities. Alongside Nozzle Quiz, I’ve worked with brands such as Ciele, Welter Experiment, Keen, Adidas, and Refrigiwear.

“In this project, how did you use your lens to capture the spirit of ‘Boundarylessness’? Was there a particular scene or moment that felt especially representative of this concept?”

To me, being boundaryless means actively engaging with your surroundings rather than observing from a distance—and that goes for both the model and the photographer. I like to play with how the model interacts with the landscape, blurring the line between subject and nature. And on my end, I’m often crouching in the dirt or climbing rocks to get the right angle—so it really works both ways.

“During this shoot, how did you utilize Nozzle Quiz’s new products to showcase the diversity of urban life? Was there a specific item, like the jacket or hat, that stood out to you, particularly in terms of their features or materials?”

I was especially drawn to the mesh panelling on both the jacket and the hat. The colours and materials have an urban feel, but the way the patterns curve and overlap brings in something organic and natural. Nozzle Quiz’s pieces feel perfectly designed to transition between city streets and outdoor environments.

“As a British photographer, how did you draw inspiration from the UK’s urban landscapes or culture to interpret Nozzle Quiz’s ‘Boundarylessness’ concept?”

I drew inspiration from the UK’s muted urban palette—especially the rich greys found in cityscapes. I also looked to the patterns that appear in functional architecture, like the brutalist concrete of a car park in Stockport, and contrasted them with natural textures like the dense shrubs and scattered boulders in Cumbria. It’s in the interplay between these worlds that I see the spirit of ‘Boundarylessness.’

“If you had to choose one photo to summarize the essence of this project, which would it be, and what is the story behind that photo?”

I’d choose the shot of the subject walking in front of the detailed concrete patterns. It captures the idea of urban hiking—of finding moments of beauty and exploration right on our doorstep.